And the radio man says...

Copyright Ian Shane

Showing posts with label Scorsese. Show all posts
Showing posts with label Scorsese. Show all posts

03 June 2010

The Last 3:55 – “Layla” by Derick and the Dominos

It’s amazing how half of a song can be the polar opposite of the other. This is the case of the Derick and the Dominos song, “Layla”. At first, the song went by almost unnoticed. While the name Eric Clapton was known because of his ties with the Beatles, Yardbirds, and Blind Faith, however, nobody knew that Clapton was a part of the Dominos. It wasn’t until two years later when it was rereleased under his name did it receive air play, and only the first half of the song was featured on the radio.

The first part was written by Clapton (and Duane Allman…who is not credited). The song gets the title from a Persian fable (based on a true story) about a poet, Qays ibn al-Mulawwah ibn Muzahim, who was madly in love with a woman named Layla. Her father refused Qays request for her hand in marriage. She was rushed to the alter to marry another man. Heartbroken, Qays fled the village and went insane. This was how Clapton felt about his best friend’s wife. There has been much written about Clapton and Pattie Boyd, so I won’t really go into great detail about their tenuous marriage and how they got together.

Clapton single-handedly destroyed the song in 1992 when he performed it for MTV’s Unplugged series. Gone were the recognizable dueling guitar riffs from Allman and Clapton and the pain in Eric’s voice, beggin’ darling please. It was replaced with half-assed singing and an acoustic guitar presentation that was the auditory equivalent to watching paint dry. I guess as his passion for Pattie waned, so did the passion in the song.

However, to me, the best part of the song is the last 3:55--the second movement. That bit of the song (which many people mistakenly think was written by Clapton) was composed by Domino drummer Jim Gordon. This beautiful, yet simple, melody has a hopeful feel to it, rather than pining for unrequited (at the time) love. Each section of the movement ends with an arpeggio of the preceding treble chord.

The movement finally got the attention it deserved when it was featured in Goodfellas. It does seem unfortunate that it is known only for that. Anytime you hear the second movement in a TV show or movie, you automatically know that you're about to see a spoof of Goodfellas.




When I hear this part of the song, I imagine myself on a tropical beach. I’m sitting on an outdoor patio at night, surrounded by torches that illuminate the sky. This melody is playing while the warm breeze greets me and a cold beer.

Much like the poet of the song's namesake, Jim Gordon’s tale ended in madness. Gordon was an accomplished percussionist and had played with many artists including Randy Newman, Jackson Browne and Tom Waits, and he was the percussionist for the Muppet Movie Soundtrack. In the late ‘70s, he stated the he was hearing voices, including his mother’s, telling him to harm and starve himself. Mis-diagnosed as alcohol related effects, his condition worsened. In 1983, to make the voice stop, he brutally murdered his mother.  Although he was diagnosed as a paranoid schizophrenic, it was too late for his legal team to use the insanity defense.  He is currently serving time in the California Penal System. Several of his friends, fans  and well wishers have continued to petition the state to move him to a psychiatric facility. 


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18 May 2010

“It’s Just a Shot Away”: Gimme Shelter by the Rolling Stones

Every aspect of life can always be divided into two factions. Republicans and Democrats. Yankees and Red Sox fans. Whiskey and Scotch drinkers. In music it always comes down to Beatles and Rolling Stones loyalists.

Ask any music fan, “Who was better?” and he/she will not hesitate in giving their answer. There is no deliberating in this debate.

I’ve always belonged to the Rolling Stones camp. While the Beatles were cashing in on their innocent boy band of the ‘60s image, the Stones were earning their keep. Early in the game, the Beatles wrote about holding hands (“I Wanna Hold Your Hand”) and teenaged puppy love (“She Loves You”). In the same era, the Stones mocked conformity and advertising (“Satisfaction”), told tales of suburban pill popping (“Mother’s Little Helper”) and described the rage and devastation of a man whose lover has died (“Paint it Black”).

As the cynicism of the 60s progressed, the Beatles took LSD a couple of times and became hippies. The Stones already had contemptuous street cred and was ready to match the mood of a country that was still mourning JFK and mired in the Vietnam War.
The Stones upped the ante and put together their war protest song, “Gimme Shelter” from the classic album Let It Bleed. The lyrics are a dramatic and powerful way of saying “make love, not war.”
War, children, it's just a shot away
It's just a shot away
I tell you love, sister, it's just a kiss away
It's just a kiss away 
The guitar intro mixed with Merry Clayton’s vocals create a feeling of dread and despair in anticipation of something horrible. Clayton’s voice is at such a fever pitch, her voice cracks three times.

No other song conveys the horrors of war more than “Gimme Shelter”. Its dark image of what was going on in Southeast Asia is filled with anger and optimism for the alternative.


Beat that, Ringo!

The song is now miscast and associated with the mob, thanks to Martin Scorsese. It has appeared in three of his films, Goodfellas, Casino and The Departed (oddly enough, the song isn’t a part of Scorsese’s documentary about the Stones, Shine a Light). Sure, the Stones were high a lot during this era, but it’s not a drug song. 
  
In the late ‘80s, the American Red Cross used the instrumentation of this song as the backdrop of one of their PSAs. Sad to say, this was my introduction to the song. However, every time I hear the intro of the song, I flash to this memory. 


AUTHOR'S NOTE
I got an e-mail a couple hours before post time, and I wanted to share it with you. Think of it as a shameless plug for some old friends of mine.


Cheers,
Ian


The much-anticipated Exile On Main Street deluxe re-issue hits stores today, and we're going in-depth with Mick, Keith and Charlie for insight into one of the most significant albums in rock history.  Tune in for theRolling Stones Exile On Main Street Radio Special from 7pm-8pm tonight (5/18) on 92-3 WTTS
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